Steel & Velvet’s latest release, People Just Float, arrives as both an artistic evolution and a narrative culmination. Following the quiet revelation of “Orphan’s Lament,” which first introduced us to the enigmatic figure of Joshua, this six-track EP expands his story into a full emotional arc. Through folk instrumentation and cinematic storytelling, the trio crafts an experience that feels both introspective and visually rich like reading a novel through sound. The presence

TaniA Kyllikki’s return to the spotlight with “I Promise I’ll Wait For You” is nothing short of triumphant. Released on October 6, 2025, as a prelude to her forthcoming sophomore album Free-Spirited, the single arrives as both a confession and a renewal. After stepping back from the public eye to confront personal health struggles, Kyllikki re-emerges with a sound that feels more expansive yet more intimate than ever. The track unfolds like a breath after silence measured, l

Blind Man’s Daughter returns with “ Harbor Boulevard ,” a luminous and deeply human ballad that finds Denver artist Ashley Wolfe tracing the contours of memory with both tenderness and courage. Known for her cinematic storytelling and emotional candor, Wolfe has always woven vulnerability into her music, but here she crafts something more intimate a dialogue across time between father and daughter. The song opens in quiet reverence, the gentle strum of guitar carrying her vo

Chandra’s latest release, “ It’s OK ,” explodes out of the speakers with the rush of a crowd singing in unison. It’s the kind of song that grabs hold before a single lyric lands, riding on bright guitar lines and an earworm vocal hook built for instant echo. Rather than sugarcoating stress or struggle, the track gives those feelings somewhere to go outward, loud, and communal. Frontman Chandra Nair teams up with Chris Wong and Mike Paul to shape lyrics that don’t preach or

Exzenya returns with “ Captivity ,” a song that feels less like a single and more like an experience dark, poetic, and beautifully unsettling. From the opening moments, a ghostly echo of an old folk refrain pulls you into a world where emotion and mystery intertwine. The track unfolds like a cinematic dreamscape, each note drenched in tension and depth. It’s a piece that doesn’t just play in your ears it creeps under your skin, drawing you deeper into its story of confinem

Franxie arrives with her debut single “ Fucking Around, ” a song that feels like a quiet rebellion wrapped in vulnerability. From the first chord, there’s a raw sense of honesty that seeps through every note a confessional tone that doesn’t ask for sympathy but demands to be felt. The track moves with an understated grace, balancing fragility and defiance, like a journal entry transformed into melody. What makes it stand out is how it captures the human tendency to linger i

Svarp The Harp’s latest single, “Irjentwat is’ immer,” bursts out of the speakers like a boisterous confession shouted between friends at last call. The alt-rock outfit keeps their feet firmly on the ground, drawing stories from late-night corners, cluttered barstools, and the smoky warmth of fire pits. There’s no pretension here just raw, lived-in music that treats chaos as both comedy and therapy. The title itself, loosely meaning “Something always happens,” sets the tone f

Ulrich Jannert’s “ Wander Still” unfolds like an odyssey through the landscapes of emotion and sound, guided by a creator who has learned to merge introspection with mastery. Known for blending melodic elegance with raw sincerity, Jannert has carved a space where soul rock, country warmth, and R&B smoothness coexist with grace. His evolution from lo-fi beginnings to a richly textured, multi-genre storyteller feels like the journey of an artist constantly seeking truth throug

Liverpool has long been a breeding ground for rock bands with a knack for emotional immediacy and melodic punch, and RISE continue that proud tradition with their electrifying new single, “Lost For Words .” The track bursts open with the confidence of a group that knows exactly who they are a collision of tight musicianship, heartfelt lyricism, and sheer adrenaline. From the first hit of the drums to the last ringing chord, there’s an undeniable urgency coursing through ever

Steel & Velvet’ s rendition of Robbie Basho’s “Orphan’s Lament” is more than a reinterpretation it’s a resurrection. Opening their People Just Float EP, the track unfurls like a quiet invocation, merging reverence for the original with a fearless willingness to reframe it. Where Basho’s 1978 piano meditation shimmered with celestial stillness, Steel & Velvet bring it earthward, tracing the space between loss and transcendence through sound. The song also serves a dual purpose

Allan Jamisen’ s new single, “ All I Am Is You,” doesn’t ease its way into the room it arrives with a suave swagger and a knowing smirk. The Phoenix-based multi-hyphenate has long been toying with the overlap between music, image, and message, but this track spins that fusion into something even sleeker. Built from ideas first sparked in Copenhagen and later reimagined in Los Angeles with producer John X Volaitis, the song moves like a passport stamp international in its con

Romain Gutsy steps into a new era with Comme un Azur dans l’âme , his first release sung entirely in French a choice that instantly reshapes the emotional terrain of his music. Rather than treating language as a mere vessel, he uses it like skin and breath, allowing his phrasing and tone to settle into something more vulnerable and immediate. The single signals more than a stylistic experiment; it’s the first ripple of a forthcoming all-French album slated for 2026, and it fe